Ranbir Kapoor Gives Credits To Atif Aslam

I WANT TO SHARE THE SUCCESS OF MY MOVIE “AJAB PREM KI GHAZAB KAHANI” WITH HIM. HE’Z REALLY POPULAR IN INDIA COZ OF HIS VOICE. ATIF IS
SO WONDERFUL Singer ,i love his Voice, aur jab wo gatay hain..porey Dil SAY Gaatay Hain…… ..porey Dil SAY Gaatay Hain

Latest Atif Aslam Reciting Naat (Mehr-e-Ali) at Hajj 2009

Atif Aslam Reciting Naat (Mehr-e-Ali) at Hajj 2009

Atif Aslam New Song in Movie “Prince I’ts Show Time

Exclusive New Track in Bollywood Movie “Prince I’ts Show Time Starring Vivek Oberoi
Atif Aslam upcomng Tack Movie Tis Movie Prince I’ts Show Time

Atif Aslam Pics at Premiere of Ajab Prem Ki Ghazab Kahani

Atif Aslam Latest Pics Images at Premiere of Ajab Prem Ki Ghazab Kahani .the both songs Tera Hone laga Hoon & Tu Jane Na by Atif Aslam Toping The Chart Busters...

Atif Aslam's All New - Tu Jane Na Remix

Atif Aslam 2nd Song from bollywood movie - Ajab Prem ki Ghazab Kahani - Tu Jaane Na (Remix Video Song) - Atif Aslam

Exclusive Atif Aslam : Tera Hone Laga Hoon

New Track Atif Aslam 2009 : Tera Hone Laga Hoon Movie Ajab Prem Ki Ghazab Kahani

Musical Journey of Atif Aslam & AliZafar..

If music is a barometer, then this generation will be defined by two men. Both are young, daring, different, vulnerable and ultimately icons. Their names are splattered across blogs, forums, magazines and billboards. Songs they sang years ago still live on in memory even as they are incessantly repeated on television. They’ve charmed us collectively with their respective voices that stay in our heads long after the strains of their melodies fade. They have conquered hearts and minds of Pakistan in way that Uncle Sam never can. Those men are Ali Zafar and Atif Aslam.

Pakistan loves them because we have witnessed their journey from boys to men. We woke up to their talent with Ali Zafar’s cheeky ‘Channo’ and Atif’s intense ‘Aadat’. One set our feet tapping, the other resonated deep within us. Both melodies worked their way into our heads and we new that a new kind of music had arrived.

If Alamgir, Nazia and Zoheb Hassan defined the eighties, Vital Signs and Junoon were the voices of the nineties, than in the same vein, Ali Zafar and Atif Aslam who surfaced in 2003 and 2004 respectively are the stars of the new millennium.
Instep looks back…

Then and now: Atif Aslam
The story of Atif Aslam is an inspiring one. Atif was middle-class boy who came out of nowhere, blew onto the scene with one song (’Aadat’) credited to a band called Jal which no one had really heard of and miraculously never looked back.

As the ‘Aadat’ phenomenon grew (it was the era where Junoon was on the rocks and Noori and Strings were really the only ones making cutting edge music Atif parted ways with Jal (namely Gohar Mumtaz). There was one consequence: his debut album was shrouded in controversy. There were beautiful songs…’Jalpari’, ‘Dil Haarey’ and ‘Aadat’ but we listened to these songs in wonder. And because of their popularity, the controversy grew.

Who wrote it, really? Jal’s debut consisted of exactly the same songs. We, the press, kept grilling the issue because it was interesting. A certain level of cynicism is allowed in Pakistan… and could anyone be certain? No, the real truth lies with Atif Aslam and former band mate Gohar Mumtaz. But that was a long time ago. And since then, Atif has proved his credentials time and again as a star and a talent to be reckoned with.

And he did it on gut instinct alone. Atif ventured into India where doing songs for B-grade films didn’t bother him. It was his way of reaching out to another audience, one that could choose to not welcome him. But Atif was always confident… he would do it or die trying. Whether it was Kalyug or Zeher, bad club mixes of Atif’s haunting tracks or Emraan Hashmi killing the visuals, Atif didn’t stop.

He went one step further with Doorie, his second album. The album was a super hit although it was painfully commercial stuff that sold on the shoulders of Atif’s unmistakable voice. It wasn’t coming from him, though. There was no ‘Kinara’ there. In an interview after the record, Atif had said, “It’s more difficult to do commercial music like Doorie because it is more challenging in a sense.” He was right. And at that point in his career Atif wanted to sell records.

He believed that getting a fan base would allow him to do what he really wanted to do later and he admitted that Doorie was music to sell and not necessarily good music. Indeed, in his pursuit of fame and fortune, Atif was as unabashed as the Indian superstar Shah Rukh Khan who was the first star to openly claim that he would dance at weddings for money. We may have criticized Atif for selling out, but we could never call him a liar. Even back then, his honesty was endearing.

Then came Meri Kahani on which Atif teamed up with the Overload guys Farhad Humayun, Mahmood Rehman and others. It didn’t have the magic of Jalpari. And Atif’s vocal experiments in the studio didn’t have the same effect. The record was, at least honest. And that was Atif returning to his roots. Under heavy firing for his weird sense of style (which has gotten better with time), unapologetic for his not-so-inspiring tunes in his early days, the star of Atif Aslam continued to rise.

In the music industry, Atif’s reputation even took a hit because of his brother and manager Shabaz Aslam. Initial fashion disasters (Shabaz is behind Atif’s wardrobe) weren’t the only reason. The brothers developed a reputation of playing good cop and bad cop. There were umpteen complaints about how pushy and demanding a manager Shabaz was, but he obviously did a good job.

Now, this reputation has slowed down as Atif is coming in to his own. One example: Coke Studio.

As Atif Aslam joined the ranks of Coke Studio this year, the haze around him disappeared altogether. Shahbaz didn’t even go on the sets and Atif for once gave in completely to the joy of making music for music’s sake. The musician in him danced and charmed, inspired and experimented with some of the finest musicians this country has produced and the rest is history.

Then and now: Ali Zafar
Ali Zafar’s story is equally interesting and intriguing.

He came and leaped at us as the blue-eyed boy in the entertaining ‘Channo’. It took Ali three years to work on that record. He modeled on the side and worked his way up and worked with names like Tariq Amin, Nabila and Khawar Riaz in his early years. To see him in his element, you have to see Ali Zafar at a concert live. He changes sentiment from song to song, singing both with his heart and his head. But before we saw Ali Zafar mesmerize Pakistan with ‘Allah Hoo’, he was the boy who made us dance and clap along with the spring in his step and the twinkle in his eye and a voice that reminded us of Kishore Kumar.
The record Ali Zafar debuted with was called Huqa Pani and it took influences from the Arabian nights, Western beats as well as Eastern roots. It was a fun album to be taken with a pinch of salt, yet masterfully executed. And there was no doubt that Ali’s voice was eastern and beautiful and its purity would be reflected throughout his music in the coming years.

In 2006, Ali Zafar released the playful and soulful Masty, his follow-up to Huqa Pani. 2006 is (ironically) also the year when Atif Aslam returned with his third record, Meri Kahani. Doorie had elevated his star power tremendously and Atif was arriving on its trailing coat tails. It was an exciting year. For the first time, Ali and Atif were going head to head. But Atif took the glory often because of his self-confidence and the fact that he had three albums in a span of three years to his credit and Bollywood was now calling out with more than B-grade offers.

Ali Zafar, on the other hand, was always a little more torn and vulnerable. His career may have started like wild fire but he had seen the firing of critics just the same. His career moves were also not as gutsy as Atif’s. He was always concerned about his image and what people would think – refusing a role in Shoaib Mansoor’s Khuda Kay Liye because it was too controversial.

Ali (along with his then-girlfriend, now-wife Ayesha Fazli) was abducted last year in Lahore and was released after paying a hefty sum of 2.5 million rupees. It was a fearful situation that compounded his fears of being a superstar. Ali’s refusal to talk about the incident led to further conspiracy theories. These events did effect Ali but he is held his head high.

The very fact that Ali Zafar walked the line between fashion and music was intriguing and often questioned. Ali Zafar has always been measured and careful. While Atif just did it and justified it, Ali Zafar always wanted to do it right so he did hold back.

Self-doubt in an artist is not all that uncommon. The front man of one of the biggest bands in the world (Chris Martin of Coldplay) came to doubt himself in the wake of international criticism over their 2005 record X and Y. Indian actor Shah Rukh Khan is another example. The man never thinks he’s done a good job. He always passes the credit to the filmmakers. Aamir Khan wears the coat of method acting and avoids publicity unless his film is comes out. He walks a thin line.

Ali Zafar is walking the same thin line. One conversation with Coke Studio co-producer Umber Hyatt comes to mind.

“He changed on that floor… it began last year with ‘Allah Hoo’… Ali is searching for something,” Umber had said. And she hit the nail on the head.

The floor Umber referred to was of Coke Studio where Ali stunned last year with his vocal dexterity and soul on ‘Allah Hoo’. He belted out some of his most popular numbers like ‘Rangeen’, ‘Chal Dil Meray’, ‘Janay Na Koi’ but ‘Allah Hoo’ was Ali Zafar’s arrival on a radically different and welcoming note all over again. This year, like Atif, Ali joined Coke Studio and like Atif, he shone for entirely different reasons.

Two is better than one
Atif and Ali are not two peas in a pod. They are similar but not the same. They are both musicians but they both are still finding themselves. They are just in their twenties. Neither of them released an album this year. They are both working on their next offerings with more effort, zeal and passion than ever. They refuse to divulge information and they don’t play games either.

The situation in India can’t stop them either. In the wake of Mumbai attacks, neither Atif nor Ali Zafar were going the Bollywood way. And strangely enough, the timing was perfect in a sense. Coke Studio season two was beginning and the two joined in. The collective goodwill behind the show translated to our pop stars.

“They were reserved but the guard came off, slowly. Atif and Ali are like my young brothers. They are superstars. They can throw their weight around but they didn’t,” remembers Rohail Hyatt fondly.

Come to India and as the situation is getting better, Atif and Ali are going back again.
Atif recorded a new tune for the Ranbir Kapoor-Katrina Kaif starrer Ajab Prem Ki Ghazab Kahani and Ali is traveling to India frequently but refuses to give out information. He did however mention that he dropped the lead role in Mahesh Bhatt’s Jashnn and we’re really glad he did… but the real point is not Bollywood. It is the ability to recognize their own potential and they are both doing just that.

We have seen them the entire summer right up till Independence Day with Coke Studio. Atif paid homage to Michael Jackson in the experimental ‘Wasta Pyar Da’ and went forward with Ustaad Riyaz Ali Khan on ‘Kinara’. He released the thought provoking and rocking ‘Humein Kya Huwa Hai’ and it was an honest piece of Atif’s music. It is coming together for him, it seems.

Ali Zafar did just the same. Taking the ‘Allah Hoo’ step forward, Ali wrote ‘Dastaan-e-Ishq’ with Baqir Hussain and flew sky high. His folk tribute to the original creator of ‘Yaar Dhadee’ – Ustad M Jumman – didn’t go unnoticed either. These were honest moments of music and it was the Coke Studio environment that helped.

In later conversations, both Ali and Atif maintain that it is important to realize the worth of our own music and treasure it. It’s this frame of mind that didn’t stop them from working with the likes of Saeen Tufail Ahmed (Ali Zafar) and Ustad Riyaz Ali Khan (Atif Aslam) without any musical hangover of the West. Discovery, intrigue and self-realisation struck inevitably and we saw some incredible music from both of them.

And that is not all they are doing this year.

Atif and Ali are both trying to understand the economics behind the business of music and they are both trying to figure it out, as individuals and as artists who are hoping to create a united front. Amidst the stories of a Union for Pop (in the pipeline), Ali and Atif are researching how the business of music works internationally. It is a necessary effort, one that hasn’t fully blown into effect but one that just might change the stakes.

The business of music is changing rapidly. The medium of releasing music is changing. It’s the digital age and we just can’t deny its reach. Spending one day on the web googling Atif and Ali is a daunting task. From fans to foes, they are all there… writing, commenting, reading and downloading Atif and Ali Zafar.

Irrespective of what the world assumes about them, they are both actually friends, even though the cynic in most of us, refuses to believe that. Atif jammed with Ali Zafar and many other musicians at Ali’s house earlier this year without hesitation. He was invited to Ali’s wedding and he showed up. These guys are genuinely friends, perhaps because they have risen together to be in the same position which no one else can really understand as well.

And despite being two of the biggest stars, neither carries a diva-like attitude. Ali has come to let his self-created guard down with time. He is more open and receptive to the media now more than ever. Atif is learning to take criticism with a pinch of salt and that is as valuable as understanding the importance of media. They are more comfortable in their own skin and that reflects in their brilliant songs at Coke Studio.

From Gumby to Zeeshan Parwez, Assad Ahmed to Rohail Hyatt – all describe Ali and Atif as decent, down-to-earth guys. The many conversations that led to this final draft don’t need too much recap. Atif and Ali Zafar are who they are. They have made some mistakes, they have suffered through criticism but they are still here. They shine through their songs and performances, shows and their own individual path that is as much a mystery to us as it is to them. And that is how it should be.

Ultimately they’re etched in memory because of their talent. Their music entertains, delights and sometimes enlightens us and if any artist manages that and has his feet rooted firmly in the ground; it is an admirable way of being.

So here’s to a new chapter in Pakistani pop… thanks to these two, the future’s looking bright.
Source: INSTEP Magzine

Hum Mustafavi hain - Olpers Milk 2009 - featuring Atif Aslam

Latest Atif Aslam Video - Hum Mustafavi hain...

Latest Atif Aslam - Humain Kya Hua - Coke Studio

New Atif Aslam Video - Humain Kya Hua - Coke Studio

Atif Aslam "Wasta Pyar Da" Tribute to Michael Jackson

Atif Aslam "Wasta Pyar Da" Tribute to Michael Jackson

Atif Aslam - coke studio season 2

Coke Studio Season 2 Atif Aslam-Kinara (BTS) ! HD Video !! ShAn Malik - atif aslam in styler wearing cap..and enjoying


Atif Aslam- Jal Pari (Full Coke Studio Season 2 Video -groove with atif aslam

Atif Aslam's Message After Toronto concert! (Backstage) 16 May 2009

Atif Aslam's Message After Toronto concert! (Backstage)for Aadeez Fans

Atif Aslam reveals his new Look Ensemble Show

Atif Aslam scraps his scruffy pop dude look for a svelte, more suave image for the Ensemble Show and has high society women on their knees!

Saba Imtiaz, Karachi
Atif Aslam is arguably one of Pakistan’s biggest superstars. You can hate his extremely offbeat sense of style, his videos or his brand of pop music (or love them), but he is a superstar no doubt. And for sceptics like myself - who cringe when Atif’s songs begin playing at cafes on popular demand - there was a complete silencing of doubts at the night of the Pond’s Ensemble Spring/Summer 09 show, held in Karachi as a fundraiser for the Teachers Resource Centre (TRC).(atif-aadeez.blogspot.com)

His performance kicked off on a high note and as he walked out on to the fashion runway, dressed entirely in tuxedo white with a Rizwan Beyg clad Hadiqa Kiyani, he had the crowd screaming with delight. The rest of the night was a blur of groupie-like hysteria, as socialites and celebrities alike decided to shed the prevailing sense of doom and gloom (as well as any inhibitions) in the country to literally dance the night away to Atif Aslam’s music. The kind of hysteria his performance evoked was nothing short of remarkable: at any concert that has such a heavy socialite/corporate presence, it is extremely difficult to stir up the crowd. But not this crowd, as this crowd was fixated by the man who had moved the masses.

Ali Azmat has often openly criticized the front row of corporate executives at sponsored shows for being a mute audience; he has always appreciated the mad crowds dancing at the back at these gatherings. But the men and women at the Ensemble show had no such inhibitions - and the runway/stage was crowded on both sides by people going absolutely mad as Atif belted out one hit number after another. And they didn’t just stop at swaying along to the music or singing aloud with Atif. Several socialites got up on the ramp to dance and the groupie feeling in the air was palpable as one woman shrieked, “I love you Atif…I LOVE YOU!” And the love for Atif wasn’t just restricted to the few teenyboppers in the audience, who watched most of his performance sitting on their knees on the floor. It was executives and socialite aunties, all screaming out Atif’s name and requesting for songs - you’d hear “AAAAAAADATTTTTTTTT” from one end or “TERE BINNNNNNN” from another. And the crowd just did not want to let go of Atif. At 2:30 AM, a visibly exhausted Atif pleaded with the audience to let him stop singing, only to be met with a roaring “NO”. One meek husband walked up to his wife to ask her if she was ready to go home, only to be rebuffed: “Nahi, abhi nahi!” (No, not now!)

And it was just more proof of how popular Atif really is. For an audience that on face value one would assume would not like his music, they knew every word and sang along, whether it was Bollywood hits like ‘Pehli Nazar’ (Race) or ‘Tere Bin’ (Bas Ek Pal) or his hit singles ala ‘Aadat’, ‘Doorie’ or ‘Mahi Ve’ or a medley of old Bollywood songs.(atif-aadeez.blogspot.com)

And Atif played to his adoring audience with the skill of someone who can take the fame and adulation for granted: his cool demeanour didn’t shift for a second, so much so that he didn’t pay attention to the women and men dancing along side him on the ramp. Perhaps it was the ‘playing-hard-to-get’ act that had the women in such frenzy, and it had one thinking that had Zeba Husain decided to auction an evening with Atif or had him hold an auction, the fundraiser would’ve made more of a monetary benefit. There’s always a next time!

What was also interesting to note is how Atif more than made up for the lack of the usual starry presence that has been part of TRC’s events in recent history. With luminaries like Arjun Rampal, Milind Soman, Urmila Matondkar and Shilpa Shetty having attended the TRC/Lux Carnival de Couture in the past, one didn’t expect Atif to have the same kind of hold on an audience used to the Bollywood nexus. And in an evening of fashion that highlighted the best that Pakistan has to offer, Atif’s performance made the night truly Pakistani. As Kamiar Rokni’s shirt read: “No one’s leaving home - I love Pakistan!”

I love Atif Aslam as performer in Coke Studio-Zeeshan Parwez

At Coke Studio this year, Zeeshan Parwez, the man who switched places from being DJ/Electronic wizard from the first season to taking on the role of video producer behind the camera. admitted that he “loves Atif”. Zeeshan was shooting Atif Aslam as he belted a few numbers (and you are in for one hell of a surprise). And as the performance ended, Zeeshan said to Instep Today, “I love Atif as a performer. He’s got the voice and he enjoys himself and that spills to the crowds. I was enjoying myself so much while shooting him!” Meanwhile Atif himself was extremely happy with Coke Studio. He said, “I’m very happy to be a part of Coke Studio this year. I saw it last year and it was amazing. As long as Coke Studio is around, we don’t have to go anywhere. All of us can work together in this studio and do projects that we’ve always wanted to do. This is of international stature, what Rohail Hyatt has done and I hope that it happens every year.”

Atif Aslam Unplugged with BBC

Mumbai, 12 March 2009. In a special programme, Atif Aslam Unplugged, the popular Pakistani pop-singer speaks exclusively to the BBC’s Deepak Sharma about his singing career, his entry into Bollywood, favourite songs, singers and actors and his fan following. The singer also shares with the BBC his childhood memories and his aspirations.

The programme, which is interspersed with Atif Aslam’s favourite Bollywood numbers as well as songs from his various albums, will be broadcast on Thursday 12 March on Radio One 94.3 FM in Ahmedabad, Bangalore, Chennai, Delhi, Mumbai and Pune. The interview will also be rebroadcast by the following BBC partner stations in India: Radio Chaska in Gwalior, Radio Choklate in Bhubaneshwar, Cuttak and Rourkela, Radio Misty in Siliguri, Radio Rangila in Raipur, Radio Tadka in Jaipur and Udaipur, Tomato FM in Kolhapur. It will also be aired by Radio Spice in Dubai, UAE.

Talking to the BBC, Atif says that training is not needed to become a singer and he, for one, is a born singer: “A singer should not be criticised just because he is not trained because, according to me, you do not need training for singing.”

When he was young, Atif wanted to be a cricketer and even was selected for the under-19s team. But he believes he was destined to be a singer and is enjoying his life today. It was Mahesh Bhatt who recognised his talent and, after listening to his song Woh Lamhe, introduced him to Bollywood.

Atif says that he is a big fan of Kishore Kumar: “It was Kishore Da’s songs which inspired me to become a singer.” -[NF]

Atif Aslam Kinara : World Tour Video

New Exclusive Video Atif Aslam kinara song showing his world tour great video song